LEAH CARLESS

 

 

 

Hand on Heart. Silicone, hand squeezed zunfired paper clay, liquid face cosmetics, steel wire, steel wall fixings. 2017

 

 

 

 

 

Full to the brim (II). Poured and pigmented silicone, studio remnants of plaster and silicone, polythene microbeads, eggshells, insulation foam. 2016

Photo credits: KH7 Artspace and artists own.

 

 

Full to the Brim (I). Poured and pigmented transluscent silicone, studio detritus and remnants from previous works. 2016

Photos Credit: Copperfield and artists own.

 

 

 

 

Fillers. Cast jesmonite, pigments. 2016

Photo Credits: Division of Labour, London and artists own.

 

 

 

Range. Cast Jesmonite, white pigment. 2016

 

 

 

 

 

Contour Ebb. Pressed unfired clay, steel trunking. 2016

 

 

All skin. Digital c-type print on aluminium. 2016

 

 

 

Live Young. Manually manipulated aluminium sheet, cast microcrystalline Wax. 2016

 

 

Contour spill. Bisque fired clay, silicone, pigments. 2016

 

 

Oh kappa. Digital Print on Soft Sheen Lycra, Rubber Bands, Weights. Camden Arts Centre. Collaboration with Mette Boel. 2016

 

 

 

Sunburn. Unfired clay, Silicone, Pigments. 2016

 

 

Black Swan. Heat Treated Bronze, transparent bra strap. 2016

 

Installation View. The Kiss, Blyth Gallery, London

Photo Credit: Dominic Tschudin

 

 

 

Flatties. Pressed paperclay, pigmented silicone, cardboard box. 2016

 

Untitled. Digital Image. 2016

 

 

Graft. Turned London plane branches, silicone. 2015

 

 

Other People's Hair. Human Hair Collected Locally and sorted into colour. Flocked onto the base of 4 pillars in the gallery from a light to dark gradient. 2015

Birmingham Show, Eastside Projects, Birmingham

Photo Credits: Stuart Whipps and artists own.

 

 

NAWM Bursary Show, Grand Union, Birmingham. Installation Shot

Photo Credit: Grand Union

 

 

 

Modules. Reclaimed Oak Architrave, silicone, tumble dryer lint, cast resin, cast plaster. 2014

NAWM Bursary Show, Grand Union, Birmingham

Photo Credits: Grand Union and artists own.